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Things being built, and the moment they land.

Thanks for visiting my portfolio! Here is a bit about me.

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My video letter

The work

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A short set, shot and cut end to end, across motorsport, music, sport and brand work.

Aluvers Branding

Reservoir project, start to finish

CBCo Goldy Lager, behind the scenes on the feature film Crime Casters — CBCo · Goldy Lager
On set, feature film product placement

Hidden Gem, Geelong, performance shoot with Andrea Hajenian — Hidden Gem · Geelong
A weekend shoot with my partner

Nighthawks, Collingwood, spontaneous gig shoot — Nighthawks · Collingwood
Freezing a spontaneous gig in light

Daniel Sanders, Road to Dakar, shot by Moon — Daniel Sanders, Australian 2025 Dakar winner
Shot before and after his win, with Quad Lock

Love at First Sight, Andrea Hajenian, directed and shot by Moon — Love at First Sight
Andrea Hajenian · performance video

Kitchen renovations, Willoughby & Fahy, shot by Moon — Kitchens · Interiors
Three renovations, Melbourne

Best Part, Andrea Hajenian, directed and shot by Moon — Best Part
Andrea Hajenian · performance video

Ocean Grove pump track, aerial and FPV by Moon — Aerial and FPV
Ocean Grove pump track. CASA-accredited drone.

Skatepark film by Moon — EdinPark · skate
Shot and cut on location

Milan to Biarritz, the riders — Milan to Biarritz
Quad Lock road trip, planned and shot end to end

Boxing edit by Moon — Nas · boxing
Fast-paced edit

Yanisport, Sweat and Talk, edited by Moon — Yanisport · Sweat & Talk
Edit for a creator at 200k+ followers

Orchestra back-to-school campaign, backstage film by Moon — Orchestra · campaign backstage
First video for a company, shot solo on phone and drone

The fit

How this maps to the role.

What a multi-brand rewards club actually needs from a full-time editor, and where I already line up.

01

Built For The Queue

A daily draw and a weekly Vault are formats, not one-off edits. I build the intro, lower thirds, caption style and end card once in Fusion, so the next one is a swap and a render. That is what protects turnaround when a store launch lands on top of the normal week.

02

Short-Form Is The Job

Vertical, not a wide edit cropped down. TikTok, Reels and Shorts with animated captions, sound design and pacing cut to a beat grid rather than by feel. The first second decides whether the rest gets watched.

03

Motion Graphics In House

Titles, captions and transitions in house. I build motion graphics in Fusion rather than dropping in a preset, so a format can carry its own look across every brand you run.

04

I Can Find The Footage

Volume dies on a messy drive. At Quad Lock I ran the library 11 teams pulled from and built AI tagging across 500,000 assets, so editors found the right clip instead of rescheduling a shoot. I keep my own projects the same way.

DJI Mini 3 Pro & DJI Avata 2 (FPV) Bilingual, English and French Full working rights, no sponsorship needed

The approach

How I work, end to end.

Give me a brief and it comes back shot, cut, captioned and scheduled. This is the loop behind the work, and the kit I run it in.

01Pre-productionBrief to shotlist - I plan the angles, the mounts and the talent around the calendar and what is trending.

02ProductionMulti-cam, drone and mount, on location. Every ratio in one shoot.

03PostResolve and Premiere. Grade once, cut per platform, EN and FR subtitles.

04DeliveryExported to spec and handed off on schedule, ready for the team to publish.

05CollaborationWork alongside producers, writers and designers, not solo, from brief to final cut.

06IterateTake feedback and reshoot or recut where the story needs it.

Built native for every feed

Vertical, square and wide, cut from one shoot - EN and FR.

About

Content is my craft. I run my own studio, Mounir Productions, shooting and editing for brands, artists and athletes across Melbourne, more often on location than at a desk. I love working with a small team too: hands-on, out and about, one story told across every format it needs.

Why this role? You are running more than one brand: the club, RS Supermarkets opening in Glenroy, Active Meals, RS Studios and the Marvel Stadium box, on top of a $1,000 draw every day and The Vault every week. That is a real editing queue, and queues are where I am actually useful: fast, templated where it should be templated, and handmade where it counts. My other work is casual so I can start immediately, and Port Melbourne is an easy run.

Easy to hand work to. Give me a brief and it comes back shot, cut and on brand, so the calendar stays full and the work ships on time.

Real client work, not just personal projects. I shoot and cut for creators like Yanisport, at 200k+ followers, and for brands like Aluvers, who design premium louvred pergolas for outdoor living.

Tools

DaVinci Resolve, including Fusion for compositing (5y), Premiere Pro (3y), Lightroom and Photoshop (3y)

Drone

DJI Mini 3 Pro & DJI Avata 2 (FPV) · CASA-accredited (valid to 2029)

Education

Master's, Integrated Marketing Communication, Montpellier Business School

Reel

mounirproductions.com

Based

Melbourne, Australia

Contact

moon@mounirproductions.com

Talk about the role

Put together for RS Rewards Club · Video Editor